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Cultivating Inner P’s

It turns out that this post is going to be an extension on the last, around the same theme of “finishing”. It makes perfect sense, right? This must be a lesson to work on for a long time. Earlier in the month I was thinking more of floating on a yin stream through the big undertakings in our lives. House, family, friendships… these are not things that you create and then they’re done. They need to flow, they have a cycle, and when you play down your ego you get to sense those things better and how you can subtly help direct them. But you need to stop and listen. Yin. For other tasks, building a roof for example, you need more direct and purposeful focus, more yang. There’s a job to do, a clear way how to do it, and in the day-to-day world often a sense of urgency as well.

I was about 20 yards deep into weeding 2 acres of black beans when I entertained these thoughts. It was exactly that urgency that got me out there and I was up for it. The beans were doing well, almost knee high and just starting to bud. But fast growing clumps of tall grasses were doing even better. They had already once colonized the field and this time I wanted to catch them before they grew into spiky green behemoths.

Like I said though, I didn’t mind. It was the first semi-sunny, dryish day in months, nothing else was really pressing and I felt like I needed to do some honest physical work. For the first quarter hour or so I was flush with newbie farmer enthusiasm. “This is what it’s about! Working the field with my own hands.” It was hot. Before long I was sweating like a cold beer at a summer picnic (the image of which, incidentally, was the other thing floating through my mind at the time). But I didn’t mind.

Until I did. The pendulum began to swing from my satisfying, abstract musings when I stood up to stretch my back and survey my work. Not bad. Then I looked over the 95% of the field I’d yet to cover. Hmm. I bent back down to continue but discomfort, frustration and doubt sprouted in my mind and spread quickly. My enthusiasm wilted. Before long I’d slid a long way down the slope from “Yes!” to “Shit! This’ll take forever to finish.” Actually, it was the speed of the descent that made me stop and think.

In the circumstances, I did what any normal American would do – I cast my mind back through the centuries to ancient India, to the Kurukshetra Plain where Krishna and Arjuna conferred on the eve of an epic battle. For the thousandth time I recalled Krishna’s invaluable advice. “Give yourself to your work, but let go of the results.” With the taste of frustration still burning on my lips, it was easy to see the wisdom in these words. I breathed deeply and bent back to my work, one clump at a time.

A new world opened up. First I explored my weeding technique: what exact posture was best for getting my weight behind my efforts & keeping my back happy; how could I grab the stalks of the weeds so that the clumps would naturally break apart as I pulled? Once I’d dialed in my weed fu I turned my focus outwards to the field. I began to catalog the other, smaller weeds that glazed green the ground. Which ones grew in atop clods of earth & which in the furrows? Another catalog ran simultaneously, this one marking all the beetles, worms, lizards and other creepers & crawlers that lurked under just about every leaf. Everywhere I looked there was something to new to notice, to ponder, to learn. I can’t say I totally lost myself in the work – it was still hot & a serious thirst was building – but I was at ease and back to enjoying the process, and this time through direct engagement rather than conceptualization. Eventually I wandered back towards my house for shade and water.

Soaking with sweat, hands stained brown from the weeds, I looked a strange sight to my Thai workers who’d been working away on the house in relative comfort. Sin, my foreman, sat down next to me and lit up a cheroot. After a suitable interval of small talk, carefully calculated I’m sure, he broached the subject.

“You know, I could get some villagers to come do the weeding for you,” he said. We both looked out over the field. “About three of them should do the trick. They could finish the whole field in a day.” I was mulling over the idea when he added, “It’s best if I find some women to do this job for you.”

I turned to him. “Why’s that?”

He laughed. “Men are hot headed. They think too much about finishing and get annoyed. Women are more calm. They’ll be happy to keep their heads down and just work.”

I laughed in return. “Good idea.” So the question of the weeds was then settled, but as often seems to happen, Sin had given me good food for thought. He returned to work and I sat there thinking. I recognized the hothead in myself for sure, the “man” who was overly focused on the “purpose” of my work. But I also saw how I’d moved beyond that. From Sin’s point of view you could say that I used occasion to get in touch with the “woman” in me, who was much more present and, crucially, patient.

I liked this thought and so decided to play with it further. If I wanted to use the magic number three as a template, what then was the missing element? Masculine, feminine and… what? It didn’t take me long to come up with a good answer: childlike.

Before I go any further let me say: I am aware of but don’t here want to get into questions of gender versus biological sex and nature versus nurture with regard to children’s or adults’ behavior. Please cut me some slack. My goal is not to prescribe any roles or define norms but to describe facets of experience using a common, if flawed, shorthand.

So then the next step was this: If purpose is a defining masculine quality and patience a defining feminine one, what is the corresponding childlike quality? Again, an answer wasn’t long in coming: play. Now, by play I don’t mean frivolous messing around, or even necessarily a sense of enjoyment. It’s more an attitude of exploration, of taking up something and turning it over, looking at it with fresh eyes to see what it does & how it responds to pokings and proddings. Something like my 18 month old daughter’s approach to just about anything she can get her hands on.

So back to the big picture. Following the theme of “triple harmony”, you could say that in any person there are 3 primal capacities or natures that contribute to our actions: they are purpose, patience, and play. I call them “Inner P’s” for short and I came to them through the concepts of masculine, feminine and childlike, but I don’t think you need hold to the correspondences. The balance of inner P’s can and should change depending on the task at hand and the stage in life. Purpose, patience and play are like the adjustable legs of a tripod, and in right measure they provide a strong, sustainable basis for any work as the ground changes beneath you.

 

No End Insight

“Is your house finished yet?” I’ve been hearing this question regularly for the last 6 months or so. For those of you who don’t know, they’re asking about a rice and mud cabin that I’ve been building in the mountains north of Chiang Mai. Yes, it’s made mostly of rice hulls and mud, using a technique known as earthbag construction (http://www.earthbagbuilding.com and http://earthbagbuilding.wordpress.com are 2 great resources info on the web). There’s lots I could write about this house (and probably will) but for now I want to focus on that question.

The house was designed to be a small, simple construction. No electricity, minimal plumbing, only 1 room plus an open-air bathroom, you get the idea. All I had to do was stuff some bags with rice hulls, lay them like bricks and slap some mud/lime plaster on the walls. With enough workers it’d take just a few months, right? I began to get the “finished yet?” question only weeks after I’d begun, with the naked walls about waist high and at the time I could laugh it off with a “there’s still lots to do.” As the walls grew and we started to plaster, I was still optimistic about my time frame and when asked if it was finished my answer drifted towards a hopeful “almost”.

Things weren’t so simple. Getting the plaster mix and application technique right took time. Workers came and went, and the new ones had to be trained. The roof went up, and it nearly had to come down again (that’s a whole story in itself). And the rains came, slowing everything down.  Progress ground to a crawl it seemed, but my answer refused to yield. “Is the house finished yet?” they kept asking and I’d grit my teeth. “Almost”.

Months began to add up. Work and family kept me in the city more often. Weeds sprung up like crazy on my patch of mountain land and demanded attention. The window and door frames were taking way too long to finish. Suddenly the house seemed to be going nowhere. I told myself I didn’t have to worry, I could take as much time as I needed. But in truth I really wanted to see something like a finished product and that question kept coming. “Is the house finished yet?” My shoulders slumped slightly. “No. Not yet.”

The wheel spins round though. In a concerted push at the end of July we managed to get the bathroom, ceiling, curtains and window screens done. I planted beans as green/manure and as a groundcover to keep the weeds down, and it actually worked. In my answer to the constant question I started to tilt back towards the optimistic. I flirted with that old flame “almost”. But despite the recent progress I can’t deny the reality that a whole lot remains undone. The front door and bathroom door are the most glaring absences. The outside of the house needs another coat of plaster. The tile floor has yet to go in. Rain gutters, window shutters and water tanks wait in the wings.

“Is it finished yet?” I laughed to myself last week when I heard the question again. “The house is never going to be finished,” I said. I meant it as a joke, but as soon as I’d said it the revelation hit me: Really, it won’t ever be finished. The list of what I know I still need to do stretches on. Above that, there’s gardening and landscaping to think about. And a house like this one, built and plastered with natural materials, is not something you build, and then it’s done. There’s always going to be something needing repair or improvement.

So I’ve decided to embrace the fact that the rice house will never be finished. Far from being depressing, this shift has proved liberating. The weight of expectation has been lifted from my shoulders. I can enjoy focusing on each specific task, and stop sweating the big picture. I can play with, not fear, the never-shortening to-do list.

The more I think about it, the more this new line rings true. I considered the big things in my life – my marriage; my role as a father; my family relationships; my personal development through study, meditation and martial training. These things are never, ever going to be “finished”. And they shouldn’t be. They require not just attention and maintenance, but continuous and loving re-creation.

I sat alone in the house last week, late into my first night there. A deep feeling of satisfaction welled up. The curved, hand-shaped thick walls enveloped me. My heart was full, my mind at ease. I considered the process, the manifesting of this reality, taking a positive, creative idea and molding with my own hands into wonderful, natural material fact. It’s a modest little place but its significance looms large for me. I will move on to new projects but the house will remain as a new partner and teacher. As with those other major elements in my life, the more I give to it the more I’ll get back. “Is the house finished yet?” “No. Not yet,” I’ll answer with a smile from now on. Having a front door would be nice though.

It was a typical karate class in our open air dojo at Chiang Mai University. For maybe the tenth time I bowed, announced the kata I was about to perform and as assumed the ready stance. In that moment, a cool breath of evening wind brushed past me. My sweat-soaked skin tingled and all my senses were heightened. I had a powerful, immediate sense of being alive, but more than that I felt a deep connection to and awareness of everything around me. There was an inner peace but it was an expansive one, wedded to the dynamic flow of the world.

Since that day two months ago this experience has been coming to me more and more, always in the pauses before and after intense, focused practice. Most often it is wind that serves as the trigger, and I’d begun to wonder if there was something particularly and immediately powerful about the sense of touch that was involved. Then one day it came through sound – a brass ensemble practicing nearby on campus. They were just warming up and there was a long, low blast from a trombone. Its vibrations rode on the evening air and touched off my expanded awareness.

The more this has continued to happen, the more I’ve tried to analyze what is going on. I know that this expansion of awareness can come through other disciplines as well – yoga and vipassana meditation for example. But this martial way has an interesting and unique element that I’m trying to tease out.

Through martial arts we learn to cultivate enhanced sensitivity and awareness. It starts out with a limited focus – we pay careful attention to our own posture or technique, we track the movement of our training partners carefully, especially during sparring. This starts out as a discursive process – we conceptualize and internally verbalize what is going on within and around us. But as training intensifies, there is an imperative that provides fuel for a process of internal transformation.

When things are happening fast, when you’re pushing hard for self-perfection or self-preservation, the senses become more finely tuned. There is no time to think, you have to perceive and react. And it seems to me that the more you develop this facility, a kind of momentum of mindfulness kicks in. As one sense gets stronger it pulls the others along, allowing you to simultaneously increase your focus and yet be more open to your environment. Suddenly, feelings and sounds – that brush of wind, that blast of the horn – that were mere background noise stand out with their own beautiful clarity. The very ground of awareness itself seems strengthened, with wonderful results.

For sure martial arts do not provide the only doorway to such inspiring experiences. But karate, the way of the empty hand, provides me with a regular, systematic way to enhance my ability to perceive, to react and to experience the world with heightened clarity and beauty. That’s a big reason why, though I hate violence, I truly love to train.

Team Buddha

Rain fell on the mountain and I sought shelter in the old viharn at Wat Palaad. It’s a low, rustic building amongst the newer, more ornate and fanciful shrines that dot this hillside monastery. All was quiet in the viharn. Monks and other visitors were all hiding from the rain elsewhere. The only sounds were the rushing stream and the patter of rainfall on the tile roof. A row of candles flickered lazily before the altar, at which were the usual collection of Buddhas in various postures. But I soon came to see this collection in an unusual way.

I sat on the ground, legs crossed. My thoughts revolved around my posture, around the sensations in my body. This is good and normal, part of the practice of vipassana, except in this case it wasn’t. It was all happening conceptually, as if my meditation were a train of thought. Eventually, the train emerged from its tunnel. I snapped to and realized that I’d been caught in thought. And as I did, my eyes rested on one of the Buddhas, a handsome, white, princely figure to the right. He looked so supremely present in contrast to my distracted musings. I gazed at his face with true appreciation for the meaning carved into that expression and for the skill of the artist who was able to capture that look. My eyes began to move to the other Buddhas. Much more than is usual at Thai temples, they represented a wide variety of styles. There were more crude, earthy images, more cheerily benevolent ones, more serene and even more funky. But each in its way carried that same aspect of being fully present, rooted in the moment.

I smiled. I was faced with Team Buddha – not a bland, stylized, abstract and a-personal ideal of enlightenment but a diverse group of Buddha personalities, each playing the awakening game with their own particular skill. No personality was more true or accurate than any other. And the effect was that one didn’t feel the need to conform or model after any particular one, just to join in.

Awareness in the mind is like pressure in the atmosphere. When awareness is lacking, the pressure is low. Then clouds of distraction and winds of passion are naturally drawn in. But the greater the concentration of awareness is, the higher the pressure. And when the pressure is high, the sky is naturally clear. Clouds and wind cannot drift in.

The saying goes that there are no atheists in foxholes. I don’t know if time spent in a foxhole really leads to belief in god – luckily I’ve never had to find out -  but I’m more & more convinced that time spent in the jungle can lead to animism. Or at least a form of it.

OK, so my house in Chiang Dao isn’t actually in the jungle. There are lumyai orchards on both sides of the property. But beyond that loom high mountains that are protected wildlife areas. Birds, boars and bears populate the hills, along with a motley assortment of creeping, crawling and decidedly dangerous critters. Last week we found a giant centipede curled up in a bucket. These babies carry a sting like a scorpion – the line is that the bite won’t kill you, but the pain is so bad you’ll wish it had. That was bad enough, but this week, it was something even scarier. I lifted up an overturned plate sitting on a windowsill, only to find a small blue krait curled up underneath. The blue krait, in case you didn’t know, is a common snake in SE Asia. It also happens to be described on one website as “very poisonous and generally lethal to victims if bitten.” Now, this was a small snake, just a baby really, so its bite may not have packed a lethal dose. But there it was, only about an inch from my hand.

Using a long pipe, we pushed the snake onto a pile of construction materials outside the window, into which the snake crawled. Then slowly, carefully, we removed every piece of the pile, trying to flush the snake out & further away from the house. The snake was nowhere to be seen. There were no holes in the ground, and the grass had recently been cut, so it wasn’t clear where the snake could have gone. Naturally, I decided that it had slipped away while our eyes were focused elsewhere. My local worker, though, came quickly to another conclusion. According to him it was, in fact, a spirit snake, sent by the resident spirit of the land. “Well then it’s a good thing we didn’t harm it,” I offered. The worker only laughed. “Yes,” he said. “But if it had been bigger, I would have made a really nice salad out of it.” And then it was back to work.

All of this got me thinking, and eventually I came to the realization that I now consider myself an animist. Not just that, but that supposed contradiction in terms – a Buddhist animist. Have I been in Thailand too long?

Animism generally gets a bad rap among those who hold to “higher” religious beliefs. It’s seen as a primitive, simple form of religion, where immaterial beings like supernatural personalities inhabit the world and exercise their powers according to whimsy, or in response to the deeds, good or bad, of people that come onto their turf. And this really is animism for some people I know. I have a friend who told me in all seriousness that the spirit of his house came to him in a dream. He looked like a bug-eyed little man (I thought of Dobby from the Harry Potter series when I heard his description) and asked for offerings of whiskey. And when the whiskey was in fact offered, suddenly my friend’s business and love life began to prosper.

It’s this kind of mundane & superstitious quid pro quo that draws criticism. People look at Thai religion, with all its amulets, tattoos, exorcisms and blessings, and say “That’s not Buddhism.” And to that extent, it’s not. But could something deeper and more subtle also be going on, cloaked in animist plumage? Is it possible to consider nature’s “spirits” as something other than fickle fairies, at turns either friendly or frightful? I think so.

I have to admit, I’ve been going through the animist motions for a while now. When my wife and I bought land on the outskirts of Chiang Mai, where we built our house and business, we had the usual ceremony at the groundbreaking to ask the blessings of the resident spirit. And since then, it somehow fell to me to make the regular weekly offerings at the spirit house in one corner of the property. I didn’t mind. For the first couple years, I saw it as a way to consciously show my appreciation for our little patch of this earth, to remind myself that we are its stewards more than owners, and to reaffirm my intention to make it a healthy, productive place for all. And I won’t lie, I was also doing some metaphysical bet hedging as well – it wouldn’t hurt to make the offerings, just in case there really was some magical being watching me & waiting for some goodies.

The experience with the blue krait though, along with a couple of similar encounters, has led me deeper into the notion of honoring the spirits. I considered: what is the root meaning of ‘spirit’ but ‘breath’, and what is breath but that which animates? And animation occurs by the constant exchange of elements between our bodies and the environments around us. So then, we can think of the spirit of a place as its breath, as its dynamic expression of life, all life that flourishes there. In this sense, the snake was indeed an emissary of the local spirit, and seeing it that way carries neither dumb superstition nor the cold objectivity of scientific materialism but rather a deep, meaningful sense of connection and appreciation. And the blue krait was more than that – it was a reminder that even small parts of the environment can hold great power over us, even the power of life and death.  So by honoring the snake, or even the spirit of the land in the abstract, we can step outside ourselves and acknowledge the greater interconnectedness of which we are but one part. We can humble ourselves, not like a fearful servant before a capricious master, but with an attitude of compassion, gratitude and wonder in the face of the world’s creative, dynamic, organic and holistic evolution. These realizations – of interdependence, of the limits of a fixed notion of “self”, of humility, of the dynamic nature of existence – all fit with the Buddhist teachings quite well. So animism need not be a branch of alien superstition grafted onto a Buddhist trunk. With the right attitude, active respect for the spirit of life around you can be a means towards cultivating the qualities that are at the very heart of Buddhist practice.

There’s an old Buddhist line that says “Intention is karma.” Honestly, I think in many cases that is too simplistic but here it’s instructive. Two people approach a spirit house with offerings of candles, incense, flowers and food. One prays fervently for success in love and business. Another expresses his awareness of and kinship with all life in that place, whether subtle or gross. He sees this offering as another chance to cultivate the heavenly qualities of compassion, loving-kindness, sympathetic joy and equanimity.   The karma of the first surely keeps him tied to the world and its tormenting cycles of desire & suffering. The karma of the second points embodies that supposed contradiction – Buddhist animism – and points towards coolness, peace and awakening. It’s in this sense that I guess I can call myself a newfound animist, an accidental animist, and I’m sure I’m not alone in taking this approach. So next time you see someone making offerings to the spirits, think twice before you leap to accusations of superstition. There may be something else going on.

Swirling Samadhi

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